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Tuesday, December 20, 2011

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Rahat Fateh Ali Khan delivers two solid numbers on Om Shanti Om and Aaja Nachle

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Rahat Fateh Ali Khan is not the most media savvy of musicians. He usually keeps to himself and quietly works his magic in music. And now he's finally scored a major coup. He has sung for the upcoming Shah Rukh Khan starrer Om Shanti Om and the comeback movie of Madhuri Dixit, Aaja Nachle. Appearance on these prolific blockbusters boosts Rahat's profile. It must be remembered that though he has definitely made his mark in Bollywood, so far it has happened through hit numbers in flop films.

'Mann Ki Lagan' from the soundtrack of Pooja Bhatt's debut film produced by Shahi Hasan and Faisal Rafi launched Rahat in India. The film was crass Bollywood but the song was a gem. Rahat's popularity amplified with 'Jiya Dhadak Dhadak Jaaye'. Produced by Rohail Hyatt and again Faisal Rafi, the song was all Rahat needed to put his foot firmly in Bollywood. He got noticed by the big guns. Rahat went onto sing for Omkara, Jhoom Barabar Jhoom and Namastey London. These were high profile films and Rahat almost always walked away with the highest of praise.

On Jhoom Barabar Jhoom, Rahat came as much-needed relief on 'Bol Na Halke Halke' on an album that was dominated with 'jhooming' literally. Namastey London didn't do much for Rahat even though the movie fared well. But when you sing for a Shah Rukh Khan film, the equation changes in Bollywood.

'Jag Soona Soona Lage' for Om Shanti Om

imageThe rat race between Om Shanti Om and Saawariya is on and their promos are running head to head on Indian channels. While Sanjay Leela Bhansali's drama boasts of soulful music to go with it's romantic story, Om Shanti Om, an ode to '70s cinema boasts of tongue in cheek, fun music. And Indian audiences have historically gone more for melodrama than for fun. To leand that weighty air to the soundtrack, enters the infallible Rahat Fateh Ali Khan and Om Shanti Om team is using his soulful number to boost the film .

Shot on Shah Rukh Khan, 'Jag Soona Soona Lage' features a remorseful Shah Rukh and for once, you don't watch the screen for just Shah Rukh (as was the case with of Main Hoon Na) but for the song with equal attention.

The beginning for the first 30 seconds belongs to Richa Sharma who's very effective. But as soon as Rahat enters you take notice. Musically, this isn't the finest of songs. Its very filmi with Indian drums and heavy orchestra that is classic Bollywood. The effort behind this song is retro '70s but that doesn't really come across. The melody feels lost in the instrumentation, but Rahat, with his classical qawwali training is impossible to drown out. He sings from his heart and you can hear it when the words fall, 'Jag Soona Soona Lage/Koi Na Rahe Aapna'.

The duo behind the melody are Vishal-Shekhar who shot to fame with Dus and this movie is their big card in Bollywood. Going for Rahat was perhaps the smartest move they made.

Rahat conquers on Aaja Nachle with 'O Re Piya'

imageIf 'Jag Soona Soona Lage' works solely on Rahat's shoulders, on Aaja Nachle, the musical duo of Salim-Sulaiman create a melody that matches the vocal virtuosity of Rahat. Everything on this song is just right. The melody, the whole qawwali feel, the lyrics (even if they are a tad clichéd) blend in impeccably.

'O Re Piya' is easily the best Rahat Fateh Ali Khan song since 'Jiya Dhadak Dhadak Jaaye'. And no, not because it is as simple as the former. Indian music directors love instruments, the orchestra feel, the north Indian drums. 'O Re Piya' is different. It uses instruments intelligently and puts Rahat to his best. Most importantly, the melody is so powerful that it blows you away. 'O Re Piya' is instant addiction.

Starting off slowly on the power of a haunting flute, slowly guitars come and Rahat comes singing, 'O Re Piya Hai/Urna Laga Kyun/Man Bawla Rey/Aaya Kaha Se/Yeh Hosla Re/Jaahil Zamana/Dushman Mera Hai' and then suddenly there is that crescendo of instruments but it is brewed as brilliantly as that first cup of coffee that makes the caffeine kick in.

Soft yet strong, it's morbid without being weepy and it recognizes the power of Rahat, giving him room to play around. The hint of filmi-ness is restricted and comes and goes quickly that makes 'O Re Piya' a better track than 'Jag Soona Soona Lage'.

No Indian has been able to use Rahat as effectively as Salim-Sulaiman. These guys mostly do background scores. The only other film the composed for on a full-fledged scale was Kaal and hence, they have yet to fall prey to the trap of commercial Bollywood music.

Overall, Aaja Nachle has received mixed response because a Madhuri Dixit film needs extraordinary music and according to reviews, Aaja Nachle doesn't deliver 100 percent on that front. But here's the thing – with Rahat in tow, the composers have found redemption with 'O Re Piya'. Following in the footsteps of his uncle, the great Nusrat Fateh Ali Khan, Rahat is making Pakistan proud

Ali Zafar and Iman Ali amongst the ten most sexiest Asians

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According to a list published by British weekly, Eastern Eye, pop wonder boy Ali Zafar and actress/model Iman Ali are amongst the ten most sexiest Asian people in the world. The list, which came into being through public voting, has named Shah Rukh Khan the sexiest Asian man of 2007 and Bengali beauty Bipasha Basu the sexiest female Asian.
This is the third time that Eastern Eye has conducted this poll. And it isn't the first time that Pakistani stars have made it to the list. Last year, model/actress Zainab Qayyum aka ZQ not only made it to the list but also managed to beat out super sexy Sushmita Sen and ranked at number 8. It isn't a surprise. Pakistani dramas have a following in the UK amongst Indian expatriates as well and an increasing number are also filmed abroad.

This year, the rankings for men was as follows: 1) Shah Rukh Khan, 2) Hrithik Roshan, 3) John Abraham, 4) Abhishek Bachchan, 5) Upen Patel, 6) Aamir Khan, 7) Salman Khan, 8) Ali Zafar, 9) Jay Sean and 10) Saif Ali Khan.

Ali Zafar beat out UK-based singer Jay Sean and even Saif Ali Khan. And even though seeing Upen Patel in this list is a bit strange, it only goes to show the market penetration of Bollywood stars and even our own stars. It is this reason why local musicians should try and tour abroad. Ali Zafar is huge in the UK because the expatriates community there is massive. His albums are not just famous with ex-pat Pakistanis but Indians as well. He regularly does shows in the UK and with Pakistani channels beaming in the UK, his star power has grown tremendously. Earlier this year, when Pakistan Day Parade took place in London, Ali Zafar was a huge crowd pleaser.

Speaking with Instep Today, Ali Zafar stated, "Well... what can I say? As flattering as it can get, I never thought I was "sexy" as they put it! But I think the credit goes to my parents. What if they hadn't married each other?"

Seeing Shah Rukh Khan topping the list is no surprise either. This was an out and out SRK year. He pleased critics (which doesn't happen too often for him) with Chak De India and it premiered in London where SRK was present.

Flash forward to November and Om Shanti Om opened with an even bigger bang. It also premiered in London and SRK was again present with the entire cast of the film. It's a known fact that no other actor is a bigger draw at the global box office except for Shah Rukh. Even the much-criticised Don and Kabhie Alvida Naa Kehna were runaway hits in the UK and America.

With Om Shanti Om, Shah Rukh built up his abs and gave Hrithik and John a run for their money. And with no major hits from the hunks, it was meant to be.

Coming to the women and its Iman Ali - who stunned all with her fantastic performance in Khuda Kay Liye - who has made it to the list on number 10. The full top ten list is as follows: 1) Bipasha Basu, (2) Madhuri Dixit, (3) Priyanka Chopra, (4) Aishwarya Rai, (5) Laila Rouass, (6) Shilpa Shetty, (7) Katrina Kaif, (8) Kareena Kapoor, (9) Lara Dutta, (10) Iman Ali.

Khuda Kay Liye is an exceptional film and the role which Iman plays is of a woman that women of UK, especially those of Pakistani origin relate with. Unlike others on this list who've often played sexy and sensual roles onscreen, Iman makes it to this list because of her distinct style. Simply put, she is beautiful. She looked fabulous in KKL but it was done very tastefully without an ounce of vulgarity or even sensuality. Plus Iman Ali is also known for her plays. She does few of them but the ones she picks out usually get noticed. And those plays are seen by audiences abroad.

Bipasha Basu, who tops this list, has always struggled with her weight. But post-'Beedi' fame, she's reached a new status. And with the steaming 'Phook De' still running onscreen, it makes sense. Coupled with the fact that Aishwarya refuses to play anything sexy onscreen, Kajol and Preity Zinta are nowhere in sight and Priyanka with no big movie out this year, it makes sense.

There are no 'gora' stars on this list and that is essentially because Eastern Eye targets Asian readers. How else can Madhuri Dixit make it to the second spot having just come back? Aaja Nachle opened yesterday while this poll was conducted roughly a week ago. It just goes to show that when it comes to Bollywood stars and even Pakistani stars, Asia is hooked. All said and done, image has, will and always play an essential part in one's fan following. Ali Zafar and Iman Ali, just like their across the border counterparts know it well.

Omer Inayat goes to Bollywood

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It almost seems like another century when Junoon's 'Sayonee' invaded MTV India, making us rejoice at our artists finally being appreciated by youngsters across the border. Even back then, our music had more soul than the thousand shrilly love duets churned out by Bollywood every week. But due to sour relations between the two countries, India couldn't really use that soul to their advantage.
Now, it's a whole different ball game. It is our music that has successfully marketed India's most mediocre movies, giving some of them an over amplified status. Well, as long as our singers are making good money, increasing their fan base and making Pakistan proud, the underserved hype of Indian films, and the nauseously techno-fied versions of our music that keeps those Indian discotheques noisy and stuffy, can be put up with- just for now. With time, however, it would be nice if we realize our worth enough to start dictating some of the terms as well.

Sometimes, however, one has also noticed that even if our music is not that creative, by Pakistani standards - and we are starting to develop some pretty high standards - it still sells in India. Is it because the alternative is the ubiquitous Himesh Reshammiya- the guru of extremely catchy, extremely disposable music? You listen to his song once, your body insists on dancing, and by the fourth time, you just want to throw the CD out.

But repetitive listening is definitely no problem for Omer Inayat's music. The apple-cheeked singer from Islamabad really did prove that he has something different to offer. Omer released his album back in April 2006 and took the country by storm with 'You've Got Something (Tenu Ley Kay Jaana)'.

The song was phenomenally successful, not only because Omer pendulum-ed playfully between English and Punjabi, since that had been done before, but because the mixture of pop and trance over a very appealing melody made the bilingual song original, toe-tapping and addictive. Two more videos came out after that song, proving that he was a consistent hard worker and no one-hit wonder.

So after many of our hit bands and singers having crossed to the other side of the Wagah border, it was only a matter of time till Omer's vocals and composing skills were utilized by the money making machine that is Bollywood.

Consequently, Omer Inayat has signed up with a film based company in India and will be singing three songs for their upcoming film. The film stars Fardeen Khan and Diya Mirza, with music direction by Bappa Lahiri (no spelling mistake there; he's the son of Bappi Lahiri). The three songs include 'You've Got Something', 'Kya Ye Pyar Hai', which have been composed and written by Omer, and 'Dhun Lagi', composed by Bappa Lahiri and written by lyricist Sameer. The name of the film hasn't been revealed so far but the music is expected to be out by March '08.

The reason Omer gives for going the Bollywood way is giving more exposure to his music, while keeping his options open. Signing contracts with labels can bind an artist, but through a film, Omer can test whether the market is receptive to his music or not and simultaneously increase his fan base. Also, one has to admit, soundtracks almost always work, having an old school charm and adding layers of sentimentality to the lyrics of a song.

But just because Omer is now working with Bollywood music directors doesn't mean he will just take it easy and ride that wave. Currently, he is busy working on two new tracks for his next album, which is being recorded in London.

Keeping his previous track record in mind, it is safe to say He's Got Something cracking in store for us in his upcoming album. And that something has Bollywood listening in, very carefully. For now, we just wait and see how the collaboration between Omer Inayat and Bappa Lahiri works out.

Stringing success… for the long haul


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No it's not called Dhoop. The next Strings album is tantalizingly called Koi Aanay Wala Hai. It's an apt name for the most anticipated album of the year.

Strings, as one music aficionado put it recently now fall into the category of "classic". This Strings fan is well into his 50s. With their melody, lyrics by Anwar Maqsood and a signature style that they have never veered from, Strings have become a listening habit in Pakistan. And they've penetrated so deep into our consciousness that they're not going anywhere.

If Ali Azmat is about radical experimentation and newcomer Atif is all about hype, Strings are all about consistency and a mellow attitude that they have made uniquely their own. They are not about 'Garaj Baras' and are definitely not scratching their heads and wondering 'Hum Kis Gali Jaa Rahe Hain'? Faisal Kapadia and Bilal Maqsood are self assured, co-pilots of the enterprise that is the Strings and they're cruising along hitting all the right notes and that too all over the sub-continent!


Faisal Kapadia and Bilal Maqsood have long been the most chilled out guys in the music industry. They occupy their own world. Both are happily married to the women they fell in love with years ago and have children; Bilal, three and Faisal, two. And they have never been into making statements. They don't take up political causes. They will do a 'Beirut' but they won't tom-tom the fact all over the place. They do what they do and they do it well, but they do it very quietly, so at the end of it, all you hear is the music.

Faisal and Bilal are voyeurs. They observe the milieu and resolutely figure out a way of doing their thing their way. Sitting with them in Bilal's gorgeous home within the Maqsood family compound in Defence Karachi, the vibe is easy to pick up on. There is a sense of calm to both of them. They share an easy energy, as mellow as the music they make. They are both excited about their new album, which is being mastered at Yashraj Studios in India, in the heart of Bollywood itself and yet the sound is distinctly Strings.

'Koi Aanay Wala Hai', the song starts off from where the excellent 'Aakhri Alvida' left off. This album sees a reinvention of the Strings. There are breaks between rhythm and melodic bridges that reach to a crescendo and then goes around for another spin. It's a definite departure from Duur and Dhaani. The music is more rocking, the sound is definitely edgier, but it doesn't sound like a whole new band. Faisal and Bilal know the Strings signature well and they stick to it.

"I look at us as a brand like Nike," says Bilal. "Strings are a brand and there is a philosophy behind it. We know what we have to do."

Like what?
Faisal easily takes over from Bilal and launches into the story of the shooting of the 'Aakhri Alvida' video. "We were shooting on the sets of the film and you remember the scene with guns on display?" he asks unassumingly. Who would forget the 'Aakhri Alvida' video? It was a breakthrough lesson in how Pakistani musicians can use Bollywood for their own advantage.

"Well originally Sanjay Gupta, the director, wanted us to play with the guns, load them and stuff," continues Faisal in that husky baritone. "I was very excited by the idea, but Bilal stopped me saying, 'Do we really want to send out the message to our fans that the Strings are into guns?' I thought about it and decided he was right. Guns are not what Strings are about at all."

Bilal smiles. There is an easy awareness between them. And music producer Rohail Hyatt who has known them for ages says that they are very easy. Part of their charm he attributes to the "nice boys next door syndrome, which is how they are." Yet he sees them as two separate entities. "They are very different people," he tells Instep. "Which is why when you ask me about them as a unit, I can't answer because I look at them as two very different individuals." According to Rohail, Bilal is the creative mind, while Faisal has the capacity to be very real and the skill to deliver. And the success of the Strings, Rohail attributes to their difference. "They compliment each other very well."

He echoes how Faisal and Bilal describe their relationship. "When one is slipping, the other brings him back on track."

Faisal and Bilal are their own professional comfort zone. And it doesn't come easy. Yet here are two guys who dreamt a dream together and formed Strings way back in the day and came out with the albums Strings in 1990 and Strings 2 in 1992. 'Sar Kiye Ye Pahar' from their second album became to Strings then what 'Aadat' was for Jal and Atif Aslam at the turn of this century. However, Pakistan wasn't then what it is now and being a musician seemed to be a fool's dream. Faisal and Bilal were respectively in love with the women who would be their wives and they finished their education and worked, got married, had children and became 'normal' people. But the call of music was too strong and they came back with Duur and the rest, as they say, is history.

New media is capable of catapulting stars to the stratosphere. The plethora of music channels in Pakistan, the launch of new newspapers and magazines and the emergence of awards shows have ensured that the music industry is more prolific than ever before and the Strings love it.

"We loved it when Instep Today was launched," says Faisal recounting how excited they were that entertainment news was being covered daily in Pakistan. "That is the way it is in India."

India is a barometer for both of them. It is the land the Strings went to and found fame tenfold the size in Pakistan. They are regulars on the Indian concert circuit and having made inroads into Bollywood, they regularly perform with Bollywood stars. And we at Instep found it rather infuriating when they did a string of concerts with Saif Ali Khan and the Indian band Parikrama and didn't keep us updated at all. Readers would have been so interested in that.

"Look," smiles Faisal. "When we first went to India and performed with Bollywood stars for the first time, we told you about it. It was exciting for us, but now we keep on going there and we keep on performing with them. We can't call up newspapers and say, now we're performing with Saif, and next week Akshay Kumar will be singing with us or that John Abraham is coming in our video. It's become regular now."
Both Faisal and Bilal strongly believe that too much hype can kill and artists. "When you keep reading about someone everyday, see them in interviews on every channel and see there videos all over the place, it kills it. You don't like it when anyone is shoved down your throat," they both agree.

There it is again, the subtlety that has become a trademark of the Strings. It's in their music, it's in the way they talk and it's in the way the way they view the scene and how they choose to play their game. From videos to concerts to music and interviews, it's done with a dignity and grace that's hard to find in the rat race that the burgeoning music scene in Pakistan has become.

And nowhere does this remarkable trait of theirs shine through as clearly as when they give interviews to Indian papers. The quotes attributed to the Strings are fantastic like one they gave to The Hindu in October 2007. "While listening to film music, you visualise the particular actor in the song. In independent albums though, the listener pictures himself in the situation. The listener relates to the singer even more," they were quoted as saying. Or the one that they gave to Rediff when they first went to India where they advised any band who couldn't make it big in India to come to Pakistan which has more of a band culture. They tell it like it is and take a stand for what they believe in. They have taken the Strings signature to India and have refused to compromise on it even if they have been made an offer by the likes of Karan Johar and Madhur Bhandarkar.

An offer came from Karan for them to sing for a film, but they refused that.
"We're open to collaborations, but we're not interested in being playback singers."
And when Madhur Bhandarkar asked them to compose the soundtrack for his upcoming film Fashion, they turned him down preferring to work on their new album Koi Aanay Wala Hai.

"We don't want to be Laxmikant-Pyarelal."
Bilal Maqsood and Faisal Kapadia realize that they are the upholders of the entity that is Strings and they treat it as sacrosanct. They worked with Sanjay Gupta because he understood what they wanted to do and was willing to let them do that for the film. They speak very highly of John Abraham who will appear in their first video for their upcoming album because he gets them. They think highly of Sanjay Dutt because they get along with him. Faisal and Bilal are not starstruck, which is why they deal with Bollywood on their own terms. A lot of music industry insiders attribute their success to Anwar Maqsood's Indian connections, (Bilal's poet father has many fans in India) but as Rohail puts it, while connections do help, it is what you deliver at the end that makes or breaks an artist.

Recently, it was pure pleasure to see the Strings perform at Coke Studio, Rohail's upcoming project that pits our biggest pop stars alongside classical and folk musicians. Right before the show, Faisal and Bilal were speaking with Rohail about how to introduce the lewa musicians who were going to accompany them on 'Sar Kiye Yeh Pahar'. They had heard of lewa dancers and wanted to know if lewa musicians was the correct term. Eventually they pointed to Abdul Lateef and his gang of men and said, "So here's 'Sar Kiye Ye Pahar', lewa style," right before Bilal launched into the most haunting reworking of the first ever Strings classic.

Ustad Hussain Buksh Gullu, the most seasoned classical musician roped into Coke Studio was paired with the Strings. He accompanied them on Duur. At rehearsals where they met for the first time, Faisal sang the opening strains of Duur to him and then said 'Please enter wherever you have the space to and take it wherever you have to." And Ustad Gullu worked his magic, taking Duur to places you couldn't imagine like only a vocalist trained in Eastern classical can. When he stopped, Faisal jumped in front of him waving his hands upwards as if to say, "Carry on sir, it's sounding wonderful." Ustad Gullu smiled and complied.

There is a tameez to dealing with classical musicians, who are a part of an old tradition that does not work well in today's go getting, cut-throat world. Yet, reaching out to them makes popular music richer. Strings realized this a while ago, which is when they teamed up with Hari Haran for the duet 'Bolo Bolo' in India and they manage to work well with classical musicians which is not an easy feat for the proverbial 'popstar'.

Another reason why their performance to an intimate audience at Coke Studio remains memorable is because one hardly gets to see them perform anymore. It seems rather unfair that their Indian fans get to see what their Pakistani fans remain deprived of.

"We've gone on to another level playing at stadiums for thousands of people with great sound and great production values," says Bilal. "After doing that, we can't play for a two hundred people, with either bad sound or fake it on stage."

"We feel ridiculous doing it," agrees Faisal.
It is a tragedy for our music industry that while musicians move ahead, the industry doesn't move with them. The Strings tried to change that when they went to the city government with the idea to do concerts all over the city. This plan resulted in the Hamara Karachi Festival in 2006, which became a hit, but while the Strings performed, they felt that the purpose wasn't fulfilled. The city government took the project in an entirely new direction and so many things happened that the festival lost all focus. The Strings wanted to give public concerts in open spaces where people could just come and listen and they still carry that plan which they hope will materialize one day.

"All colleges need to hold concerts," they say, pointing out that the bulk of their concerts in India are at student festivals. "A college has a concentration of people who listen to pop music and if colleges across the country hold concerts regularly, then we can have a great concert circuit," they believe.

Meanwhile offers keep rolling in from across the border and the sky is the limit for them in India, but Faisal Kapadia and Bilal Maqsood are holding back. It is more important to be Strings than to be big in Bollywood, which is precisely why they'll manage to do both. It's better that the destination be Duur for two musicians who hold the journey above all else.

Rahat Fateh Ali Khan


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Rahat has an ability to breathe life into any song. At Rohail Hyatt's pet colossal music project that was Coke Studio, Rahat Fateh Ali was one of the high point… in fact the highest point. Whether it is a classical raag or giving a new spin to Ali Azmat's 'Garaj Baras', Rahat made that night his own.

He sang as Gumby drummed up a storm and Zeeshan Parwez turned tables, Omran Shafique and Kamran Zafar flirted with electric and bass guitars. And Rahat flew out in shining colours. He sang 'Garaj Baras' with Ali Azmat and made it his own and sang numbers that one didn't need to know lyrics of to enjoy. Rahat can put one in a trance. But underneath that fabulous voice is a man who has it in him to make us proud.

Singers come and go but Rahat Fateh Ali Khan is a voice that gets embedded in one's heart forever. Out with a new video, Rahat is continuously making waves and making us proud. The latest single, 'Tere Bina' is certainly not the nicest videos we've seen but the saving grace of this song is Rahat and that inimitable voice of his. This song is no 'Jiya Dhadak Dhadak Jaaye' but it is one that grows on you and has that haunting quality to it that is now synonymous with Rahat Fateh Ali Khan.

Even when he ventures out to Bollywood, he leaves his mark. The films may flop but the songs he has sung like 'Bol Na Halke Halke' for Jhoom Barabar Jhoom, or 'O Re Piya' for Aaja Nachle or that breakthrough number 'Mann Ki Lagan' for Paap has led to him making a niche for himself in Bollywood. And when he works in Hollywood, that too, is inspiring. James Horner and his team up on the soundtrack of Mel Gibson's Apocalypto is just one more sign of how far this man can go.
Ali Azmat considers Rahat as one of the nicest voices and an even nicer guy in the business and Omran Shafique enjoys playing with him.

Rohail Hyatt, who has co-produced Rahat Fateh's first proper studio album, says that "Charkha is Rahat's first stepping stone and I hope he realizes it. Rahat can be the next Nusrat Fateh Ali Khan." And we agree with Rohail one hundred per cent. So this week Rahat Fateh Ali Khan is Instep's Hotstepper of the week, not just for the beautiful song that is 'Tere Bin' but for his ability to weave magic as he did at Coke Studio. There was only one Nusrat and there is only one Rahat. Need we say more?

Monday, December 19, 2011

JOKES IN URDU

Pakistan Entertainment Urdu Movies - Hindi Movies - Videos - Films Latest Fashion - Top Ten Movies


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Wednesday, December 14, 2011